There’s an interesting chunk of the story that takes place in the Sperry Ball turret, a section of the plane where gunners operate machine guns, temporarily giving it the claustrophobic feeling of a one-location film. It also doubles as a figure of speech, when an unexplained problem or fault occurs. The opening sets up what’s to come with a vintage cartoon of a gremlin, a folkloric creature said to be the source of malfunctioning aircrafts during the war. When she hitches a ride on a bomber plane, she faces discrimination and sexism from the male crew on board, who refuse to see her as an equal despite her accolades. Shadow in the Cloud surrounds World War II pilot Maude Garrett ( Chloë Grace Moretz ) on a classified mission to deliver a package from New Zealand to Samoa.
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Additionally, it’s the only film of the franchise that centers around teens, making it a nice precursor to the Chucky TV series that would come thirty years later. It’s an environment we rarely see and mirrors many of the mind games of boot camp on a smaller scale. The film has been cited as the least favorite of Don Mancini, and generally by fans, but I argue that it’s undeserved. As anticipated, hell unleashes at the school. Chucky manipulates a young cadet named Tyler ( Jeremy Sylvers ) who rejects any warnings of danger. He’s seemingly safe from his least favorite doll of all time, Chucky ( Brad Dourif ), until he finds out Andy’s location. The third installment of Child’s Play introduces us to Andy Barclay ( Justin Whalin ), now sixteen-years-old, attending Kent Military School while his mother is in psychiatric care. When one thinks of military horror, teen cadets are hardly the first to come to mind, but they absolutely count.
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Homecoming streams on Screambox, Tubi, CONtv, Fandor and Freevee. It sounds heavy with its political stance, but the comedic and heartfelt elements make this a wholly unique and entertaining ride. During a TV appearance, he tells a grieving mother, “If I had one wish… I would wish for your son to come back.” This statement accidentally summons the dead out of their American flag-covered caskets.
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Set during the war in Iraq, the story is told through the eyes of presidential speech writer David Murch ( Jon Tenney ). Without giving anything away, it shows zombies who want more than brains… an idea inspired by a film on this list, J’accuse (1919). It’s an anti-war film and tribute to fallen service members. Deathdream streams on Tubi and ARROW.Īired as a part of Mick Garris’ Masters of Horror anthology, Homecoming is a pivot from the typical military zombie film where we root for the humans to survive. Some boys never come home.” In 2010, it was announced to be remade under the title Zero Dark Thirty with director Paul Solet ( Clean ) revising a script by Stephen Susco ( The Grudge ), but there has been no updates on its status since. The final line cements the horrors of war and loss: “Andy’s home. Themes of grief, post traumatic stress disorder, addiction and an inability to meet the expectations of society and loved ones are told through the bloodthirsty ghoul. The way it expresses the domestic challenges veterans and their families face upon homecoming is quite touching. The film shows the early work of Tom Savini (a Vietnam veteran himself), alongside Alan Ormsby, who also penned the script. After Andy Brooks ( Richard Backus ) is killed in action, a “death notification” is delivered to his parents and sister, portrayed by John Marley, Lynn Carlin and Anya Ormsby. The Monkey’s Paw tale gets a Vietnam war setting in Deathdream AKA Dead of Night. Or, of course, if you just want to see giant alien bugs or werewolves blown to bits, that’s here too.
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The POVs range from civilians trapped in military culture, teen cadets, facing barriers as a female pilot and the post-Vietnam grief endured by veterans and their families. That said, in recognition of Memorial Day here are 14 military horrors to choose from that aren’t all just about the undead.
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This hybrid subgenre repeatedly uses the zombie as the antagonist of choice, a reason identified by Scholar Kevin Wetmore in Post-9/11 Horror in American Cinema : “Zombies cannot be reasoned with, cannot be negotiated with, they seek only to replicate themselves, which also makes them an excellent metaphor for terrorists.” There is a thin line between the two, but military horror goes further by blending the literal and figurative. Come and See is often hailed as one of the scariest films and Son of Saul almost plays like a found footage in Auschwitz.
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War films are horror films, aren’t they? Both genres explore inevitable death intertwined with moral quandaries and are full of suspense.